Kasnih 1930-ih godina 20. stoljeća slikar Jens Sondergaard preselio je u kuću u Toftumu, a u pismu svome prijatelju Leu Svaneu opisao je “pejzaže tako prekrasno ekspanzivnim da se nisu mogli usporediti s Thyem”.
Umjetnikova fasciniranost posebnom svjetlošću, snažnim brežuljcima Toftum Bjergea koji se protežu u daljinu, te široko otvorenim nebom regije Limfjord, inspirirala je velik broj značajnih slika, često naslikanih u istom predjelu gdje je i izgrađena gostinjska kuća.
Kuća je usađena u padinu brežuljka, s panoramskim pogledom od dvjesto stupnjeva koji se proteže s istoka prema zapadu, preko otvorene, neizgrađene dine i predjela s livadama koje se spuštaju prema obali Nissum Bredninga.
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In the late 1930s, painter Jens Sřndergaard moved into a house in Toftum, and in a letter to his friend, Leo Svane he described “landscapes so wonderfully expansive they were beyond comparison with Thy”.
The artist’s fascination with the special light, the strong sweeping Toftum Bjerge hills and the Limfjord region’s wide open skies inspired a number of distinctive paintings, often done in the same area where the guest house was built.
The house is built into a hilly slope, with a 200-degree panoramic view from east to west over an open, unbuilt dune and meadow area running down towards the coast at Nissum Bredning. One of the goals was to capture the light from the sky in a continuous spatial sequence in one building, which seen from any direction, would reflect the profile of the hill ridge.
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