Već i prije svog studija na Iblerovoj školi, Drago Galić dobio je priliku surađivati s najistaknutijim protagonistima zagrebačke arhitektonske scene – Ehrlichom te Denzlerom i Kauzlarićem, da bi od početka studija 1930. čitav niz godina bio Iblerov bliski suradnik. Između 1930. i 1940. godine Galić samostalno realizira niz projekata među kojima treba posebno istaknuti lapadsku Vilu Jakšić iz 1935. godine – građevinu koja bi trebala uči u svaku antologiju hrvatske moderne – da bi ranih pedesetih doživio vrhunac ali nažalost i kraj svog stvaralaštva. Tada je izgradnjom triju višestambenih zgrada u Zagrebu (Ulica grada Vukovara 35, 1953.; Svačićev trg, 1953. i Miramarska ulica, 1954.) postavio kriterije koje je i danas teško doseći. Dok su zgrade u Vukovarskoj i Miramarskoj svojom pojavnošću izravno vezane uz corbusierovski svijet oblika, kuća na Svačićevom trgu fascinira prije svega originalnošću i izvjesnom radikalnošću jezika.
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Even before his study at Ibler’s school, Drago Galić had a chance to collaborate with the most prominent protagonists on the Zagreb architectural scene such as Ehrlich, Denzler and Kauzlarić. From the beginning of his studies in 1930 he became Ibler’s close associate. Between 1930 and 1940, Galić designed numerous projects, and we especially single out his Villa Jakšić in Lapad from 1935 – a building that should be a part of any Croatian architectural anthology of modern times. In the 1950s he reached his creative peak, but unfortunately it was also the end of his work. With the building of three apartment buildings in Zagreb (Vukovarska Street 35, 1953; Svačić Square, 1953 and Miramarska Street, 1954) he set standards that are hard to meet even today. While the design of buildings in Vukovarska and Miramarska Street is directly linked to the Corbusier’s world of forms, the house on Svačić Square is fascinating first of all for its originality and certain radicalism of language.
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