V poznih tridesetih letih 20. stoletja se je slikar Jens Sřndergaard preselil v hišo v Toftumu, v pismu svojemu prijatelju Leu Svaneu pa opisal “krajino tako prečudovito razprto, da se ne more primerjati s Thyjem”.
Umetnikova očaranost nad posebno svetlobo, izrazitimi daljnosežnimi hribčki Toftuma Bjergea ter široko odprtim nebom območja Limfjord je navdihnila številne pomembne slike, pogosto naslikane v tistem delu, kjer stoji hiša za goste.
Hiša je vsajena v pobo~je hribčka, z dvestostopinjskim panoramskim razgledom, ki se razteza od vzhoda proti zahodu, prek odprtih nezgrajenih valovitih nanosov peska in krajine s travniki, ki se spuščajo proti obali Nissum Bredninga.
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In the late 1930s, painter Jens Sřndergaard moved into a house in Toftum, and in a letter to his friend, Leo Svane he described “landscapes so wonderfully expansive they were beyond comparison with Thy”.
The artist’s fascination with the special light, the strong sweeping Toftum Bjerge hills and the Limfjord region’s wide open skies inspired a number of distinctive paintings, often done in the same area where the guest house was built.
The house is built into a hilly slope, with a 200-degree panoramic view from east to west over an open, unbuilt dune and meadow area running down towards the coast at Nissum Bredning. One of the goals was to capture the light from the sky in a continuous spatial sequence in one building, which seen from any direction, would reflect the profile of the hill ridge.
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