Že pred študijem na Iblerjevi šoli je Drago Galić dobil priložnost za sodelovanje z najvidnejšimi protagonisti zagrebške arhitekturne scene, Ehrlichom ter Denzlerjem in Kauzlarićem, potem pa je bil od začetka študija leta 1930 vrsto let Iblerjev tesen sodelavec. Med letoma 1930 in 1940 je Galić samostojno uresničil vrsto projektov, med katerimi je treba posebej izpostaviti vilo Jakšić na Lapadu iz leta 1935 – stavbo, ki bi se morala uvrstiti v vsako antologijo hrvaške moderne –, doživel v zgodnjih petdesetih letih vrhunec, žal pa tudi konec svojega ustvarjanja. Takrat je z gradnjo treh večstanovanjskih stavb v Zagrebu (Ulica grada Vukovara 35, 1953; Svačićev trg, 1953; Miramarska ulica, 1954) postavil kriterije, ki jih je še danes težko doseči. Stavbi v Vukovarski in Miramarski sta s svojo pojavnostjo neposredno povezani s corbusierjevskim svetom oblik, hiša na Svačićevem trg pa navdušuje predvsem z izvirnostjo in določeno radikalnostjo jezika.
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Even before his study at Ibler’s school, Drago Galić had a chance to collaborate with the most prominent protagonists on the Zagreb architectural scene such as Ehrlich, Denzler and Kauzlarić. From the beginning of his studies in 1930 he became Ibler’s close associate. Between 1930 and 1940, Galić designed numerous projects, and we especially single out his Villa Jakšić in Lapad from 1935 – a building that should be a part of any Croatian architectural anthology of modern times. In the 1950s he reached his creative peak, but unfortunately it was also the end of his work. With the building of three apartment buildings in Zagreb (Vukovarska Street 35, 1953; Svačić Square, 1953 and Miramarska Street, 1954) he set standards that are hard to meet even today. While the design of buildings in Vukovarska and Miramarska Street is directly linked to the Corbusier’s world of forms, the house on Svačić Square is fascinating first of all for its originality and certain radicalism of language.
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