Ideju o nomadskim umjetničkim paviljonima kao alternativi muzejima suvremene umjetnosti, koju je Francesca von Habsburg sa zakladom Thyssen-Bornemisza Art Contemporary (T-B A21) započela realizirati u Veneciji 2005. godine, moglo bi se s malo pretjerivanja nazvati “panpaviljonizacijom” globusa. Te je godine u okviru službenog programa Venecijanskog bijenala vizualnih umjetnosti po prvi put predstavljen paviljon “Your black horizon” umjetničko-arhitektonskog dvojca Olafura Eliassona i Davida Adjayea. Neobična drvena konstrukcija, smještena na otoku San Lazzaro degli Armeni, izvan tradicionalnih ruta bijenalne publike željne da u što kraćem vremenu obiđe što je moguće prostorno zgusnutije izložbene sadržaje, prije je bila fama 51. venecijanskog bijenala nego što ju je stvarno vidio velik broj posjetitelja Mostre. Stoga se uključivanje paviljona u program Bijenala arhitekture sljedeće 2006. godine kao hibridnog, umjetničko-arhitektonskog projekta činilo samorazumljivom odlukom. Paviljon je mirovao, ali mijenjala se (vrsta) publika.
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The idea of nomadic art pavilions as an alternative to contemporary art museums, inaugurated by Francesca von Habsburg in 2005 in Venice with the Thyssen-Bornemisza Art Contemporary Foundation (T-B A21), could be called, without exaggeration, the “pan-pavilionization” of the globe. The official programme of the Venice Visual Arts Biennale in that year included the very first presentation of the Your Black Horizon pavilion by the artistic-architectural duo of Olafur Eliasson and David Adjaye. This unusual wooden structure, placed on the island of San Lazzaro degli Armeni, outside the traditional routes of the Biennale audience that wants to see as much as possible of the cramped exhibition sites in the shortest time, was more of a tale of the 51st Venice Biennale than something actually seen by a large crowd of visitors. Therefore, the inclusion of the pavilion as a hybrid, artistic/architectural project into the programme of the Venice Architectural Biennale seemed like a self-explanatory decision. The pavilion stayed put, but the (type of) audience changed.
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