Arhitektura in sodobni ples sta medija, ki pogosto rabita kot umetniški navdih in izziv drug drugemu. Koreografovo delo s prostorom, ki ga ustvarja telo, z gibom in lučjo ter arhitektova možnost, da premisli prostor, konstrukcijo in materiale znotraj prostorskih kategorij, se dobro prepletata in odpirata nova polja razmišljanja znotraj lastnih sfer ter tako širita meje svojih strok. Izziv predstavlja dejstvo, da sta arhitektura in ples dve povsem različni obliki prostorskega izražanja. Arhitektura je osnovana na utrjenem sistemu omejevanja kot rezultat prostorske organizacije, kakršno narekujejo‚ tla, zid in streha, v plesu pa ni omejitev. To je minljiva in v osnovi svobodna oblika umetnosti, v kateri plesalčev občutek lastne telesne svobode predstavlja edini odpor do prostora.
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Architecture and contemporary dance frequently inspire and challenge each other’s art. The choreographer’s work with space created with body, movement and light and the architect’s ability to think place, structure and materials in spatial terms mingle easily together, opening new thoughts within their own spheres – extending their disciplinary borders. The challenge lies in the fact that architecture and dance represent two quite different forms of spatial expression. While architecture works on a fixed system of constraints that are the result of the spatial organization dictated by “floor, wall and roof”, in dance there is a lack of limitations. It is an ephemeral and basically free art form, where the dancer’s sensation of his or her bodily freedom represents the only spatial resistance.
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