Če bi bilo treba natančneje definirati avtorski arhitekturni kontekst, potem bi naslov morda lahko aludiral tudi na štirikotnik ali kvadrat, saj je sodobna arhitektura v Zadru najbolj prepoznavna po delovanju štirih avtorjev – Nika Bašića, Ivana Oštrića, Igorja Pedišića in Anteja Uglešića. Ker pa ima projekt, o katerem teče beseda, trikotno osnovo, se zdi pomembno izpostaviti njegovo bazično obliko, da bi opozorili na nekaj pomembnih vidikov recentnega dela Igorja Pedišića v kontekstu aktualnega redefiniranja nekaterih večjih urbanih potez v Zadru, med katerimi je projekt bivšega Tekstilnega kombinata Borisa Kidriča gotovo med najpomembnejšimi.
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If a more closely specified definition of authorial architectural context was required, the title might have referred to a quadrangle or a square, since contemporary architecture in Zadar is most recognized for the work of four authors – Niko Bašić, Ivan Oštrić, Igor Pedišić and Ante Uglešić. However, since the actual project is based on a triangle, it seems important to emphasize its basic form, in order to point out several prominent aspects of the work by Igor Pedišić, in the context of the current redefining of some large urban areas in Zadar, among which the most significant is the former Boris Kidrič textile plant.
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