V svojih fotografskih delih zavzame umetnik kritično stališče do arhitekture in socialne kulture favel v brazilskem megalopolisu Săo Paulu. Osnovna značilnost prostorskega koncepta teh četrti podrtij, ki se očitno oddaljujejo od formalnega koncepta tradicionalnega urbanističnega načrta, je dejstvo, da so prebivalci teh bivališč prav tako tudi njihovi graditelji.
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In his photographic works, the artist takes a critical stance on the architecture and social culture of the favelas in the Brazilian megalopolis of Săo Paulo. The main feature of the spatial identity of these slums, clearly deviating from the formal concept of traditional urban planning, is the fact that the inhabitants of the dwellings are also their builders.
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